MOTION PICTURE



An epic tale of honour, betrayal, love and sacrifice

SYNOPSIS

Tamunoba the goddess  appears to Ibanichuka a carefree warrior and against the  norm pronounces him the king of Okrika. In a cryptic warning, the goddess advises  him to show true strength in the face of his greatest  adversary in order to save his  people from annihilation.  His interpretation of her message leads to conquests,  alliances and even a civil war  with an influential  member of his war cabinet, all these while trying to unite a  people already divided by the Christian religion led by the wily Chief Ogan wielding  his own supremacist  agenda.  When Ibanichuka  eventually  discovers his greatest  adversary, he realizes to his  shock that he had been on a wrong trajectory after all and is forced to make the  decision that no true warrior should ever make.

Trailer



PRODUCEr's Note


Ibinabo Fiberesima

Amanyanabo ‘The Eagle King’ will showcase the rich socio-economic and political  structure of the Ijaw people. It features espionage, subterfuge, the integration of  Christianity and colonial rule into the region.  Okrika like other regions in modern day Nigeria  boasted  city-states ruled by sovereign monarchs who were faced with real issues and dispensed the law towards ensuring order and justice. Very much like today there were bi-lateral trades and battles for supremacy. I have always been very passionate about telling stories about the Ijaw and at large the Niger-Delta  peoples of Nigeria. Amanyanabo offers a unique opportunity to look through the microscope and discover a noble way of life that existed and still carries on till date. The spectacles, the intrigues are mostly reminiscent of events that did transpire to reiterate the fact that Africans were anything but a savage race in need of redemption.






Director's Note

Fred Amata

This is about the richness of the traditions and the abundant  diversity of Africa, inclusive of African motifs, patterns and colours which offer a kaleidoscope upon which a resounding approach to filming Amanyanabo is based. The need to marry the rich originality of Africa’s heritage with world best standards meant we had to be more attentive to areas such as production design, cinematography, props and  the overall feel of the movie in such a way that it would resonate  appropriately with the epic period in question. At the same time we had to maintain the veracity of a dramatic twist of love, war and intrigue that make up the plot of this story  based on true events and characters of the Okrika people of Nigeria. Capturing a filmic look, with a large cast and crew and filming in its hazardous natural environment proved quite a Herculean endeavour that was only ameliorated by  the exciting  uniqueness of the outcome  that is now the movie… Amanyanabo  ‘The Eagle King’.  I hope you find it engaging as I did.





Director's Note

Ibinabo Fiberesima

The idea behind Amanyanabo was to re-enact a semblance of a historical structured city state administered by a powerful potentate who placed the love of his people over glory. The story in depth also aimed to dispute the obnoxious notion that Africans did not play politics, practiced multi-lateral trade or even had a standing army through the legend of one of the greatest kings of the Niger-Delta, King Ibanichuka the Eagle King of Okrika. Shot in the creeks and marshlands of Okrika, we ensured that an old story was told with the most modern technology to give the contemporary audience a picturesque view of what life, culture, conflict, trade, honour and love meant to our peoples before the rude incursion of scavenging colonialists.